“…there is an astounding variety of affect and approach. From Jocelyn Morlock’s Exaudi, which starts with a murmuring, narrow-ranged incantation over which a solo cello (passionately played by Ariel Barnes) mourns, to veteran R. Murray Schafer…the Vancouver-based professional chamber choir demonstrates outstanding pitch, blend and diction throughout this superbly recorded disc.”

– Howard Goldstein – BBC Music Magazine


Click on images below to view and/or download. Photos by Von Loewen.

For higher resolution files (suitable for print) please contact Jocelyn at jmorlock@gmail.com



JUNO® Award-winning composer Jocelyn Morlock’s music is hailed as being “airy but rhythmic, tuneful but complex” and with “uncanny yet toothsome beauty” (Alex Varty, Georgia Straight), “A lyrical wonder, exquisite writing” with “an acute feeling for sonority” (David Gordon Duke, Vancouver Sun) and an approach that is “deftly idiomatic” (Lloyd Dykk, Vancouver Sun). Her music is recorded on 20 CDs including Cobalt, whose title track won the 2015 Western Canadian Music Award for Best Classical Composition, and her just-released Halcyon.

Morlock is currently the Vancouver Symphony Orchestra’s Composer in Residence. She began her term there in 2014, having just completed a term as inaugural Composer in Residence for Vancouver’s innovative concert series, Music on Main (2012–2014.)

Morlock’s music has received numerous accolades including Top 10 at the 2002 International Rostrum of Composers, (Lacrimosa) winner of the 2003 CMC Prairie Region Emerging Composers competition, five nominations (2006, 2010, 2014, 2015) and one win (2015) for Classical Composition/Recording of the Year at the Western Canadian Music Awards, and a Juno Nomination for Classical Composition of the Year (2011, Exaudi). She recently won the Mayor’s Arts Award for Music in Vancouver (2016.)

Morlock’s international career was launched at the 1999 International Society for Contemporary Music’s World Music Days with Romanian performances of her quartet Bird in the Tangled Sky. Since then, she has become the composer of record for significant music competitions, including the 2008 Eckhardt-Gramatté National Music Competition and the 2005 Montreal International Music Competition, for which she wrote Amore, a tour de force vocal work that has gone on to receive more than 70 performances and numerous radio broadcasts.

Highlights of recent premieres include Earthfall for the Vancouver Symphony Orchestra; Undark for Standing Wave; Big Raven for the Emily Carr String Quartet; Three Meditations on Light, written for the debut concert of the Couloir duo at Music on Main’s Modulus Festival; Luft, a 35-minute music and dance production with choreography by Simone Orlando, featuring Josh Beamish and the dancers of MOVE; The Company, written for Turning Point Ensemble’s Rio Tinto Alcan prize-winning production Firebird 2011; In Situ, a large-scale collaboration with the Aeriosa Dance Ensemble premiered during the 2010 Cultural Olympiad and attended by over 7000 people; Theft for Standing Wave’s Too Strange…an exploration of magical realism in music; two CBC commissions – Asylum, a piano trio written for the 10th anniversary of the Tuckamore Chamber Music Festival and the 200th anniversary of Robert Schumann’s birth, and The Jack Pine, written for The Gallery Project, a partnership between Music and Beyond, CBC Radio Two and the National Gallery of Canada.

New CD releases featuring Morlock’s work include Cobalt, that includes six of her orchestral works featuring the Vancouver Symphony Orchestra, the National Arts Centre Orchestra, the Pacific Baroque Orchestra, the Windsor Symphony and the late, great CBC Radio Orchestra, as well as a piano trio featuring Duo Concertante; Couloir’s Wine-dark Sea, musica intima’s Into Light, (nominated for two 2010 Western Canadian Music Awards and two 2011 Juno Awards: Classical Album of the Year, and Classical Composition of the Year for Morlock’s Exaudi), Other notable recent releases include Fringe Percussion’s eponymous debut album (nominated for a 2010 Western Canadian Music Award), pianist Rachel Iwaasa’s Cosmphony, the Canadian Chamber Choir’s In Good Company, and Tiresias Duo’s Delicate Fires (nominated for a 2008 Western Canadian Music Award).

Jocelyn Morlock completed a Bachelor of Music in piano performance at Brandon University, studying with pianist Robert Richardson. She received both a Master’s degree and a Doctorate of Musical Arts from the University of British Columbia. Among her teachers were Gerhard Ginader, Pat Carrabré, Stephen Chatman, Keith Hamel, and the late Russian-Canadian composer Nikolai Korndorf.

Artwork (this page) by Mark Takeshi McGregor.