LISTEN

SOUNDCLOUD:

Here’s my soundcloud page, with the most recently added sounds first – scroll through to find what you’re looking for. Various other subgroups are on the soundcloud page itself, though it is, alas, a bit of a work in progress.

If there is something you’re looking for and can’t find, please email me and I’ll add it asap! jmorlock@gmail.com

PLAYLIST: https://soundcloud.com/j-morlock/02-meditations-on-light-bioluminescence-wine-dark-sea

Orchestral excerpts: https://soundcloud.com/j-morlock/sets/orchestral

Percussion excerpts: https://soundcloud.com/j-morlock/sets/percussion-music-jocelyn

Vocal/choral excerpts: https://soundcloud.com/j-morlock/sets/songs

Chamber music excerpts: https://soundcloud.com/j-morlock/sets/chamber-music-jocelyn-morlock

Various random excerpts, below:

Aeromancy – second movement – concerto for two cellos and string orchestra. The most recent two performances were January 18, 2014, and February 24, 2013, both at the Orpheum. January 18, 2014 – Vancouver Symphony Orchestra, conducted by Bramwell Tovey, and February 24, 2013 – VAMSO conducted by Les Dala. In both performances, the cello soloists were Ariel Barnes and Joseph Elworthy.
https://soundcloud.com/j-morlock/aeromancy-2

Excerpt from Exaudi (2004) for choir and solo cello – about six minutes into the piece.

Excerpt of Cobalt(2009), concerto for two violins and orchestra.

Bioluminescence, from Three Meditations on Light (2011), for harp and cello, played by Couloir duo – Heidi Krutzen and Ariel Barnes.

Excerpt of Halcyon (2003) for cello and piano – about 4 minutes into the piece.

Somewhere Along the Line – text by Tom Cone – Naomi Forman, soprano, and Kara Dixon, piano.

Prelude (on the name of Glenn Gould)

Excerpt of Twittering Machine (2012), from I Love Paul Klee, played by Fringe Percussion (percussion quartet.)

Excerpt of She Bellows, We Play (2012), from I Love Paul Klee, played by Fringe Percussion (percussion quartet.)

Excerpt of Lacrimosa (2000), dedicated to the memory of my father. Performed by the Continuum Contemporary Music Ensemble of Toronto.

Excerpt one (start of “The Descent”) from Luft (ballet, 2011) – music performed by Turning Point Ensemble, choreography by Simone Orlando.

Excerpt two from (middle of “The Descent”) from Luft (ballet, 2011) – music performed by Turning Point Ensemble, choreography by Simone Orlando.

Asylum (2010) – piano trio, some thematic material based on Schumann’s “Mondnacht. Played by Nancy Dahn, Timothy Steeves, and Vernon Regehr.
TRACK LINK MISSING

Theft – Insomnia (2009) – quintet for clarinet, violin, cello, piano and percussion – this is a trio of excerptlets. Excerptlings? Excerptettes. In case it isn’t apparent, I did have insomnia while writing this piece.

Excerpt of Script, which is the third of the Involuntary Love Songs (2008) – text by Alan Ashton, music by me. Kristin Mueller-Heaslip, soprano, and Eugenia Yesmanovich, piano.
MANUALLY UPLOADED TRACK

SOUNDCLOUD:

Here’s my soundcloud page, with the most recently added sounds first – scroll through to find what you’re looking for. Various other subgroups are on the soundcloud page itself, though it is, alas, a bit of a work in progress.

If there is something you’re looking for and can’t find, please email me and I’ll add it asap! jmorlock@gmail.com

PLAYLIST: https://soundcloud.com/j-morlock/02-meditations-on-light-bioluminescence-wine-dark-sea

Orchestral excerpts: https://soundcloud.com/j-morlock/sets/orchestral

Percussion excerpts: https://soundcloud.com/j-morlock/sets/percussion-music-jocelyn

Vocal/choral excerpts: https://soundcloud.com/j-morlock/sets/songs

Chamber music excerpts: https://soundcloud.com/j-morlock/sets/chamber-music-jocelyn-morlock

Various random excerpts, below:

Aeromancy – second movement – concerto for two cellos and string orchestra. The most recent two performances were January 18, 2014, and February 24, 2013, both at the Orpheum. January 18, 2014 – Vancouver Symphony Orchestra, conducted by Bramwell Tovey, and February 24, 2013 – VAMSO conducted by Les Dala. In both performances, the cello soloists were Ariel Barnes and Joseph Elworthy.
https://soundcloud.com/j-morlock/aeromancy-2

Excerpt from Exaudi (2004) for choir and solo cello – about six minutes into the piece.

Excerpt of Cobalt(2009), concerto for two violins and orchestra.

Bioluminescence, from Three Meditations on Light (2011), for harp and cello, played by Couloir duo – Heidi Krutzen and Ariel Barnes.

Excerpt of Halcyon (2003) for cello and piano – about 4 minutes into the piece.

Somewhere Along the Line – text by Tom Cone – Naomi Forman, soprano, and Kara Dixon, piano.

Prelude (on the name of Glenn Gould)

Excerpt of Twittering Machine (2012), from I Love Paul Klee, played by Fringe Percussion (percussion quartet.)

Excerpt of She Bellows, We Play (2012), from I Love Paul Klee, played by Fringe Percussion (percussion quartet.)

Excerpt of Lacrimosa (2000), dedicated to the memory of my father. Performed by the Continuum Contemporary Music Ensemble of Toronto.

Excerpt one (start of “The Descent”) from Luft (ballet, 2011) – music performed by Turning Point Ensemble, choreography by Simone Orlando.

Excerpt two from (middle of “The Descent”) from Luft (ballet, 2011) – music performed by Turning Point Ensemble, choreography by Simone Orlando.

Asylum (2010) – piano trio, some thematic material based on Schumann’s “Mondnacht. Played by Nancy Dahn, Timothy Steeves, and Vernon Regehr.
TRACK LINK MISSING

Theft – Insomnia (2009) – quintet for clarinet, violin, cello, piano and percussion – this is a trio of excerptlets. Excerptlings? Excerptettes. In case it isn’t apparent, I did have insomnia while writing this piece.

Excerpt of Script, which is the third of the Involuntary Love Songs (2008) – text by Alan Ashton, music by me. Kristin Mueller-Heaslip, soprano, and Eugenia Yesmanovich, piano.
MANUALLY UPLOADED TRACK

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