Amore, 2005 (5′) solo operatic voice (versions for all vocal types) and piano
August 16, 1916, 2008 (7′) voice and piano
Blue Sun, 1998(10′) violin, viola
Dervish, 2004 (5′) violin and piano
Fracas, 2018 (5’) trombone and percussion
Halcyon, 2003 (7′) violoncello, piano
half-light, somnolent rains, 2006 (11′) piano duo
I conversed with you in a dream, 2006 (14′) flute and piano Avondale Press
Involuntary Love Songs, 2008 (11′) voice and piano
Nightsong, 2007 (11′) bassoon and harp
Perruqueries – six songs about wigs and the people who love them; texts by Bill Richardson (26′) sop, bar, pno (two songs for soprano and piano, two for baritone/piano, two for soprano/baritone/piano)
Petrichor, 2013 (10′) violin and piano
Quoi???, 1998(7′) piano, percussion
Shade, 1999 (10′) cello, vibraphone
Three Meditations on Light, 2011 (16′) for violoncello and harp
Train, 1999 (6′) high voice, piano
Verdigris, 2010 (4′) oboe and guitar – arrangement of Verdigris
Vespertine (Twilight, Verdigris), 2005 (total 11′) flute and harp
Vulpine, 2013 (9′) violin and piano
X, 1996 (7′) violin and piano

Asylum, 2010 (10′) piano trio
Luminous Moth, 2008 (2′) (piano trio, educational, moderately difficult)
Perruqueries – six songs about wigs and the people who love them; texts by Bill Richardson (26′) sop, bar, pno
(two songs for soprano and piano, two for baritone/piano, two for soprano/baritone/piano)
Ravel and Debussy arrangements, 2007 (40′) arrangements for flute, viola, and harp of Ravel’s Tombeau de Couperin and Menuet Antique and Debussy’s Ballade

Bird in the Tangled Sky, 1997(15′) clarinet, violin, cello, piano
Darwin’s Walkin’ Fish Quartet, 2008 (9′) percussion ensemble (4 players)
Revenant, 2002 (10′) baroque flute, baroque violin, viola da gamba, harpsichord
The Violet Hour, 2010 (5′) cello quartet
Velcro Lizards, 1996 (10′) clarinet/bass clarinet, trumpet, violin, double bass
Vermilion 2014 (11′) string quartet

…et je danse, 2004 (13′) soprano, mezzo, violin, violoncello, piano
Night, herself, 2016 (15’) version for quintet – cl, vln, vc, pno, perc
Theft, 2009 (11′) clar, vln, vc, pno, perc (1 player)

Darwin Fish, 2006 (9′) percussion ensemble (6 players)
Stone’s Throw, 2018 (8’) fl, cl, vln, vc, pno, perc
Undark, 2016 (8’) fl, cl, vln, vc, pno, perc

Blood, Rain, Violets, 1997 (10′) cl, sop sax, vln, vc, el gtr, pno, perc (two players)
Hatch, 2007 (6′) percussion ensemble (8 players)
I Love Paul Klee (2018) (6’) version for chamber ensemble 1111 1110 pno perc strings 11111
Icarus, landing, 2000 (15′) fl/picc, ob, clar, vln, vc, db, piano, perc
Lacrimosa, 2000 (9′) sop, mezzo, vln, vla, vc, db, 1 perc
Luft (35′) large chamber ensemble (fl, ob, cl, bsn, hn, tpt, tbn, pno, perc, harp, vln1, vln2, vla, vc, db)
Luft Ballet Suite, 2015 (11′) large chamber ensemble (fl, ob, cl, bsn, hn, tpt, tbn, pno, perc, harp, vln1, vln2, vla, vc, db)
Marginalia, 2007 – Re-visioning Roy Kiyooka (20′) cl, 1 perc, str quartet, pno
Music of the Romantic Era, 2005 (11′) fl, ob, 2 cl, bsn, hn, 2 pno, 2 vln, vla, vc, db
Sequoia, 2009 (10′) trombone octet and 1 percussion
Trakl-lied, 2003 (10′) soprano, mezzo, flute, viola, bass, 1 perc
Zart, 2006 (14′) fl, ob, cl, bsn, hn, tpt, tbn, pno, perc, hp, vln, vla, vc, db

Amore, 2005 (5′) solo operatic voice (versions for all vocal types) and piano
August 16, 1916, 2008 (7′) voice and piano
…et je danse, 2004 (13′) soprano, mezzo, violin, violoncello, piano
Golden, 2001 (12′) baroque string orchestra with soprano and auxiliary percussion
Involuntary Love Songs, 2008 (11′) voice (versions for all vocal types) and piano
Lacrimosa, 2000 (9′) sop, mezzo, vln, vla, vc, db, 1 perc
Somewhere Along the Line, 2012, text by Tom Cone (6′) voice and piano
Train, 1999 (6′) high voice, piano
Trakl-lied, 2003 (10′) soprano, mezzo, flute, viola, bass, 2 percussion
Trust, 2009 (3′) high voice, piano

Absalon fili mi, 2009 (5’) TTBB choir
An die musik, 2015 (4’) TTBB choir and piano
Exaudi, 2004 (9’) chamber choir (SATB, at least 3 of each voice type) with violoncello solo
Let, 2009 (5’) SSAA choir
Io, Io! (2018) (6’) mixed choir (SSAATTBB)
One Black Spike, 2008 (3.5’) SATB choir or four solo voices

Aeromancy, 2011 (15′) double cello concerto with string orch, 2 obs, 2 hns, 1 perc
Disquiet, 2006 (5′) string orchestra (8/6/4/4/2), percussion (1 player)
Golden, 2001 (12′) baroque string orchestra with soprano and auxiliary percussion
Inseparable, 2009 (3′) string orchestra, two trumpets, and gongs
Nostalgia, 2008 (14′) string orchestra (6/5/4/3/2)
Solace, rev. 2005 (9′) chamber string ensemble (min. 13 players) or string orchestra

ORCHESTRAL EXCERPTS https://soundcloud.com/j-morlock/sets/orchestral/ Cobalt, 2009 (8′) concerto for two violins and orchestra (2222 4221 hp, pno, str) Crush, 2014 (7′) orchestra and spoken-word poetry – text written and performed by Shane Koyczan Earthfall, 2016 (12.5′) orchestra (*3332 4321 3perc pno hp str) Hullabaloo (2’) orchestra 2222 4331 T+2 str Lucid Dreams, 2017 (20’) cello concerto solo vc, 1111 2000 T+2 hp str Luft (35′) large mixed ensemble (fl, ob, cl, bsn, hn, tpt, tbn, pno, perc, harp, vln1, vln2, vla, vc, db) Music of the Romantic Era, 2005 (11′) fl, ob, 2 cl, bsn, hn, 2 pno, strings My Name is Amanda Todd (11.5′) orchestra (2222 4231 T + 2perc str) Night, Herself, 2018 (15’) version for orchestra 3(3=pic)22(2Ebcl)2 2200 T+ 2 pno str O Rose, 2018 (10’) orchestra 3(3=picc)233(3=cbsn) 4321 T+3 str Oiseaux bleus et sauvages, 2003 (10.5′) 3/2/2/2, 4/2/0/0, pno, hp, 2perc, str Ornithomancy, 2013 (15′) – flute concerto That Tingling Sensation, 2015 (10.5′) orchestra (*3222 4331 T + 2perc pno hp str) That Tingling Sensation, 2015, rev. 2017 (10’) orchestra 3(1=alt,23=picc)222 4331 T+2 hp pno str

Ned the Neck, 2011 (4″) approximately Grade 2.5 – 3 (picc (opt.), 3fl, ob, bsn, 3cl, b.cl, asax,tsax, bsax, 3tpt, 2hn, 3tbn, bar/euph, tba, db (opt.), timp + 4 perc

Children of Armageddon, 2008 (2 hrs – film score) – chamber ens with sop
Demon Snail, 2004 (6”) Balinese gamelan (24 players, requires 7-toned instruments)
In situ, 2010 (26” – dance) 2 fl, 2 tpt, 2 tbn, 2 perc, electronics, aerial dancers
Marginalia, 2007 – Re-visioning Roy Kiyooka (20”) cl, 1 perc, str quartet, pno

Fracas (5’) trombone and percussion
I Love Paul Klee (6’) version for chamber ensemble 1111 1110 pno perc strings 11111
Io, Io! (6’) mixed choir (SSAATTBB)
O Rose (10’) orchestra 3(3=picc)233(3=cbsn) 4321 T+3 str
Stone’s Throw (8’) fl, cl, vln, vc, pno, perc

Lucid Dreams (20’) cello concerto solo vc, 1111 2000 T+2 hp str
Night, Herself (15’) version for orchestra 3(3=pic)22(2Ebcl)2 2200 T+ 2 pno str
That Tingling Sensation (rev.) (10’) orchestra 3(1=alt,23=picc)222 4331 T+2 hp pno str

Earthfall (12.5′) orchestra 3(2,3=picc)332 4321 3perc pno hp str
Hullabaloo (2’) orchestra 2222 4331 T+2 str
Night, herself (15′) – cl, vln, vc, pno, perc
Undark (8′) (fl, cl, vln, vc, pno, perc)

An Die Musik (5′) TTBB Choir Luft Ballet Suite (11′) large chamber ensemble (fl, ob, cl, bsn, hn, tpt, tbn, pno, perc, harp, vln1, vln2, vla, vc, db) My Name is Amanda Todd (10.5′) orchestra (2222 4231 T + 2perc str) That Tingling Sensation (10.5′) orchestra (*3222 4331 T + 2perc pno hp str) Torsion (5′) trombone and piano

Corybantic (12′) solo piano
Crush (7′) orchestra and spoken-word poetry – text written and performed by Shane Koyczan
Orpheus, where north winds never cease (7”) – sop, vla, vc, pno, speaker/actor
Vermilion (11′) string quartet

Ornithomancy (15′) flute concerto
Perruqueries – six songs about wigs and the people who love them; texts by Bill Richardson (26”) sop, bar, pno (two songs for soprano and piano, two for baritone/piano, two for soprano/baritone/piano)
Petrichor (10′) violin and piano
Vulpine (9′) violin and piano

After the rain (5′) solo trombone
Handelmobile (4′) flute and harpsichord
I love Paul Klee (10′) percussion quartet
Premonition (7′) solo pipe organ
Salamander (9.5′) flute octet
Somewhere Along the Line, text by Tom Cone (6′) voice and piano

Aeromancy (15′) double cello concerto with string orchestra, 2 obs, 2 hns, 1 perc
Firebird 2011 project
L (7′) for solo alto flute
Luft (35′) large chamber ensemble (fl, ob, cl, bsn, hn, tpt, tbn, pno, perc, hp, 2 vlns, vla, vc, db) – ballet for Turning Point Ensemble’s
Ned the Neck (4′) for wind ensemble, approximately Grade 2.5 – 3 (picc (opt.), 3fl, ob, bsn, 3cl, b.cl, asax,tsax, bsax, 3tpt, 2hn, 3tbn, bar/euph, tba, db (opt.), timp + 4 perc
Three Meditations on Light (16′) for violoncello and harp

Asylum (10′) piano trio
In situ (26”) 2 fl, 2 tpt, 2 tbn, 2 perc, electronics, aerial dancers
Let (5′) SSAA choir
The Jack Pine (6′) solo piano
The Violet Hour (5′) cello quartet
Verdigris (4′) arrangement of Verdigris (2005, flute/harp) for oboe and guitar

Absalon fili mi (5′) TTBB choir
Artemis Sleeps (2′) flute solo (educational music, gr. 8 – ARCT)
Cobalt (8′) concerto for two violins and orchestra (2222 4221 hp, pno, str)
Inseparable (3′) string orchestra, two trumpets, and gongs
Sequoia (10′) trombone octet and percussion (1 player)
Theft (Insomnia, Water-Clocks) (total dur. 11′) clar, vln, vc, pno, perc (1 player)

August 16, 1916 (7′) voice and piano
Children of Armageddon (2 hrs – film score) chamber ensemble with soprano
Darwin’s Walkin’ Fish Quartet (10′) percussion quartet
Involuntary Love Songs (11′) voice and piano
Luminous Moth (2′) piano trio (educational music, moderately difficult)
Nostalgia (14′) string orchestra (6/5/4/3/2)
One Black Spike (3.5′) SATB choir or four solo voices
Phobos and Deimos, circling (3′) solo piano

Hatch(6′) percussion ensemble (8 players)
Marginalia – Re-visioning Roy Kiyooka (20′) clarinet, percussion, string quartet, piano
Nightsong (11′) bassoon and harp
Prelude and Fugue (6′) piano solo
Ravel and Debussy arrangements (40′) arrangements for flute, viola, and harp of Ravel’s Tombeau de Couperin and Menuet Antique and Debussy’s Ballade

Darwin Fish (9′) percussion ensemble (6 players)
Disquiet (5′) string orchestra (8/6/4/4/2), percussion (1 player)
half-light, somnolent rains (11′) piano duo
I conversed with you in a dream (14′) flute and piano
Zart (14′) fl, ob, cl, bsn, hn, tpt, tbn, pno, perc, hp, vln, vla, vc, db

Amore (5′) solo operatic voice (versions for all vocal types) and piano
Music of the Romantic Era (11′) fl, ob, 2 cl, bsn, hn, 2 pno, 2 vln, vla, vc, db
Solace (9′) – substantial rev. of 2001 piece; chamber str. ens. (13 players) or str. orch.
Vespertine (11′) flute and harp – two movements – Twilight and Verdigris

Demon Snail (6′) Balinese gamelan (24 players, requires 7-toned instruments)
Dervish (5′) violin and piano
…et je danse (13′) soprano, mezzo, violin, violoncello, piano
Exaudi (9′) chamber choir (SATB, at least 3 of each voice type) with violoncello solo

Halcyon (7′) violoncello, piano
Oiseaux bleus et sauvages (10.5′) orchestra (3/2/2/2, 4/2/0/0, pno, hp, 2perc, str)
Trakl-lied (10′) soprano, mezzo, flute, viola, bass, 2 percussion

Curvilinear (7′) solo free-bass accordion
Four Piano Pieces (ca 1.5′ – 2′ each) – solo piano (educational, intermediate)
Revenant (10′) baroque flute, baroque violin, viola da gamba, harpsichord

Golden (12′) baroque string orchestra with soprano and auxiliary percussion
Solace (9′) chamber string ensemble (13 players) – revised 2005, do not use earlier version

Icarus, landing (15′) flute/piccolo, oboe, clarinet, violin, cello, double bass, piano, percussion
Lacrimosa (9′) soprano, mezzo-soprano, violin, viola, cello, double bass, percussion

Lemonstones (9′) soprano saxophone, percussion
Shade (10′) cello, vibraphone
Train (6′) high voice, piano

Blue Sun (10′) violin, viola
Quoi??? (7′) piano, percussion
Velour (7′) alto flute

Bird in the Tangled Sky (15′) clarinet, violin, cello, piano
Blood, Rain, Violets (10′) clar, sop. sax., vln, vc, el. gtr., pno, perc (two players)

Velcro Lizards (10′) clarinet/bass clarinet, trumpet, violin, double bass
X (7′) violin, piano